The summer of 2019, as depicted on screen, is an oppressive haze of heatwaves, cheap box fans, and the sticky desperation of media's dying days. Mia becomes entangled not just with a handsome, emotionally unavailable editor (Adrian Locke, played with brooding precision by Marcus Chen), but with the very idea of what her life could be. This is where critics who panned the film for being exploitative missed the point entirely. The lust is a symptom, not the diagnosis. Search data suggests that many viewers who revisit the film use the word "better" in their queries. "The intern a summer of lust 2019 better" isn't just a phrase—it's a corrective. Better than the 12% Rotten Tomatoes score from top critics? Absolutely. Better than the salacious, music-video-esque trailer that sold the film as softcore? Without question. Better than its direct-to-VOD reputation? Resoundingly yes.
What audiences are discovering is a layered character study that uses the erotic as a Trojan horse. The film's second act, in particular, swerves into unexpected territory: a monologue where Mia's pragmatic roommate (a standout Amber Rivers) dismantles the intern's fantasies about "sleeping her way to the top" by pointing out that the top is barely holding itself together. "You think he has power?" Rivers' character laughs, gesturing at the magazine's leaking ceiling. "He's two months behind on his own rent. You're fighting over crumbs." the intern a summer of lust 2019 better
Have you seen the film? Share your thoughts using #SummerOfLust2019. And for more deep dives into underrated cinema, subscribe to our newsletter. The summer of 2019, as depicted on screen,